“How could you have two fathers?”"Just lucky, I guess."其实比起大家看到的缠绵无尽的孤独我看到的却是父爱看电影不是得到共鸣就是看到自身缺口事实上现实中有很多父亲未觉得“没有参与孩子的成长”而感到抱歉他们得到了比孩子更美好的东西:事业、爱情、生活多年后的愧疚能值几分钱
Godard described Hiroshima as ‘Faulkner plus Stravinsky’,while Resnais himself compared the film to a musical quartet, using a theme with variations and recapitulation